(I took photos of the cards using my small digital camera, without taking a great deal of care over lighting and the "bowing" distortions
associated with using a wide angled lens. Colour accuracy is likely to be a bit suspect, too.)
1985 to 1994 | 1995 to 2004 | 2005 to 2014 | 2015 to 2024 |
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1995 Media: Linocut. Production method: Printed using one of Dad's printing presses; silver ink onto steel blue card then mounted on off-white card. Other notes: Nil. |
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1996 Media: Felt-tip pen on paper. Production method: Photocopying on green paper. Other notes: Nil. |
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1997 Media: White conte on black card. Production method: Photocopying on heavy "parchment" paper. Other notes: Nil. |
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1998 Media: Linocut with a great deal of touching up using black pen. Production method: Professionally printed in Newfoundland on white card. Other notes: This is another of my favourite designs, and reflects the fact that I was on sabbatical in Newfoundland at the time. I tried to print the linocuts by hand, but had no press and the results were terrible. In the end I took the best print, fixed the defects with felt-tip pen and paid a printer to print them conventionally. |
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1999 Media: Whiteout pen on black card with white conte highlights. Production method: Profesionally printed. Other notes: This design reflects the fact that I moved to Melbourne at the beginning of 1999. I wanted to juxtapose the peace of the stable with the noisy city but I think the design ends up being a bit too busy. |
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2000 Media: Black conte on white card. Production method: Professionally printed onto cream card. Other notes: Unfortunately some of the detail of the sheep and shepherds is lost due to the lack of contrast (and it's not clear whether the shepherds saw the star anyway). |
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2001 Media: Pastel on white card, scanned and then digitally treated to create an impressionist effect. Production method: Home inkjet printer on white card. Other notes: The first of the computer-facilitated cards. My plan was just to scan the original artwork, but I was not happy with the style (I'd tried to do all the shading diagonally and it just didn't work). However, I ran it through a pointillism filter and adjusted the point size until it looked okay. I was then pleased to discover that the cost of using my home printer — even with the price of inkjet cartridges — was cheaper than professional printing. |
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2002 Media: Pastel on black card, then scanned for printing. Production method: Home inkjet printer on white card. Other notes: Nil. |
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2003 Media: Pastels and black felt-tip pen, then scanned for printing. Production method: Home inkjet printer on white card. Other notes: Nil. |
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2004 Media: Pastel on black card, then scanned for printing. Production method: Home inkjet printer on white card. Other notes: This is another of the designs that I particularly like. |
1985 to 1994 | 1995 to 2004 | 2005 to 2014 | 2015 to 2024 |
Christmas cards designed by Helen Chick. (c) Copyright 1995-2004